Photos of a series of greenware sculptures I’ve been working on. Thrown and assembled in White st Thomas stoneware.
Over the summer we’ve been asked to explore the theme of ‘collections’ documenting each of the following five:
1. A collection you have visited in person
My friend’s dad collects old milk bottles. There’s a room beside their kitchen where they’re all kept, lining the shelves from wall to ceiling with even more flowing from crates on and underneath the table. Most come from Wales but some from London where it was discovered the family’s ancestors used to be milkmen. Most date from around the 1930s but some date as far back as he 1880s, the older ones having wider necks. Here the collecting is an action, an ongoing process, collecting for fun.
2. An historical collection
I visited Middleport Pottery in Stoke-on-trent where they produce slipcast Burleigh ware. There they keep a collection of all the old plaster moulds the factory has used over the years and new designs are often inspired by this collection. It describes how tastes in ceramics have changed over the years from the flowery, intricate complex vessels of the past to the simple and sleek modern ones of today.
3. An artist who references collections in their creative practice
I travelled down to visit my flatmate in Eastbourne over the holiday and she took me to visit the Towner Art Gallery where I found this unusual collection of discarded dogballs collected by Jo Coles, a Brighton based artist. Here is the statement from her website (http://www.jocoles.com/) : I walk and I collect. I connect with a place through the objects people leave behind. I use these small details from human life to evidence living history. I save these objects for posterity before they disappear into the ground or are collected by street cleaners and whisked away into landfill. I’ve created order by imposing a system of collecting on these seemingly random pieces of rubbish.
Coles’s collections describe our ‘throw-away’ culture, elevating the everyday to intriguing works of art.
4) An unconventional collection
I came across this creepy collection of mannequin limbs and torsos in a field recently while working at a music festival. The theme of the festival was surrealism so I suppose that’s enough of an explanation for them to be there. It’s an interesting collection symbolically though, in an art gallery context it might be interpreted as a kind of anti- war protest with references to the horrors of concentration camps. Plastic bodies suggest that human lives are as disposable as mass produced goods.
5) A collection you have encountered in your own home
This collection of junk sits underneath our bungalow, most of it only kept because of its sentimental value. It includes the dolls house dad built for me, the threadbare mustard yellow chair that used to be my granddad’s, random books, CDs, children’s toys and golf clubs that are unlikely ever to be used. It’s a pile of things that don’t really belong anywhere else in the house but to an outsider might communicate lots about the type of people we are. It’s a personal collection that wouldn’t have any resonance with people outside my immediate family and yet you’re likely to find a similar collection of ‘homeless’ objects in any house.