For our first collaborative field project with the maker and fine art students we worked in the ceramics studio. Our project was to create a clay sculpture on the theme of light by exploring the way still lives can create abstract patterns of light and shadow.
We began by setting up still lives of objects we found interesting then used projectors to cast shadows from these onto large sheets of paper. Charcoal and biro were used to trace the patterns of light and shadow, rendering the objects together in abstract form.
We tried using a photocopier to enlarge sections of these collaborative drawings but found it difficult to get the settings right. I wish I’d put my name down for a workshop on how to use the photocopier effectively! Some materials like the scrunched up strips of masking tape above made crisp shapes of flat shadow however others like glass bottles, were a lot more difficult to render because of the distorted way light reflects through them.
The next stage was to create a relief using cardboard and we decided to each recreate sections of the drawings we liked the most then make an abstract collage of these aspects of the still life. We spent a long time arranging and re-arranging shapes to get a sense of balance. From the start we were drawn to the green netting we found because of the delicate, intricate lattice pattern it cast. We noticed our still lives reminded us of underwater scenes – the forms looking like seaweed and sunken treasure.
The next step was to use this cardboard relief as the basis for a clay sculpture. We decided to explore through pre-reflexive play to begin, trying to recreate details we liked individually from this collage in clay. We tried pressing the clay into the cardboard shapes, pressing the netting into clay and using the cardboard shapes as stencils.
We had a lot of fun during this stage of the process but frankly the result just looks a bit naff! In it’s earlier stages the design looks considered but we ended up throwing everything at it with an enthusiastic approach of ‘more is more’. The final piece looked like the crumbling, ivy entwined ruin of a fairy-tale castle (one who’s architect was fond of geometric shapes). Since none of us had used the extruder before we were eager to have a go even though the forms it created had nothing to do with our original design. The task taught us an important lesson – that a work of art can be pushed too far! Our approach was one of ‘see what happens’ rather than a pre-planned design. We spent lots of time trying to achieve a sense of balance in the cardboard collage and should have spent the same amount of time with the clay. It was a struggle to construct because we discovered pieces with intricate detail cut in dried a lot faster than other slabs and tended to crumble. Making the lattice forms in paper clay may have made them stronger or we could have dipped material in slip.
On reflection, we would have been more successful making a series of small sculptures rather than throwing everything at one piece. We had lots of interesting patterns and forms – the geometric circles in squares combo, the lattice clay sheets, the plant-like slabs and the repeated leaf pattern. There was just too much going on! During the rest of the week we managed to create a new, simpler sculpture. We tested to see what results our sculpture would produce by taking it back to step one – placing it in front of a projector. It has an interesting juxtaposition between the geometric box form and the organic flowing vine-like slab sitting on top.