The Sacrifice for Art and Craft

I’ve just come across a text in ‘The Ceramics Reader’ called ‘Reconsidering “The Pissoir Problem”‘ by Bruce Metcalf. In it he describes conceptual art using the definition of artist-philosopher Adrian Piper who suggests we think of conceptual art ‘as being art that subordinates its medium, whatever its medium, to intellectually interesting ideas’.

Metcalf proposes that the difference between being an artist or a craftsperson depends on what you sacrifice. For an artist, the medium is subordinated by the idea. Art is intellectual, or according to Arthur Danto ‘art is embodied meaning’. Craft on the other hand puts the material first, the idea comes second since craft practice is more about labour. These days, Metcalf says, ‘everybody wants to be an artist‘. It’s something I feel resonates with me as someone who came to ceramics from a fine art background. Recently my work has become so much more about the idea than the joy of working with clay. I don’t want to forget what drew me to working in ceramics in the first place through. The ability wet clay had to reshape itself and ‘remake/re-model’ like the Bryan Ferry song (‘Next time, is the best time we all know’) drew me to it, perhaps as a metaphor for a way of continually reshaping and changing my own self. The stubbornness of clay I felt had a lot in common with my own stubborn attitude.

I began to define myself while at HDK as an artist who happens to work in clay. I realised from feedback in tutorials that a lot of the things I made could equally have been made in metal, wood or plastic. Superimposing shallow metaphors about clay suggesting the fragility of human civilisation onto these objects afterwards felt superficial and false. I realise I am starting to sacrifice my material for the idea. But the results from the anagama firing and the fantastic material qualities of the alchemy and metamorphosis of glaze and clay during the process has made me remember that this magic is the thing which really excites me, these objects mean more to me than anything else I made while in Sweden.

 

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