On Friday we spent the morning with Jon Clarkson in the ceramics archive room discussing the relationship between art and ceramics before having a chance to explore the archive documents ourselves. I came across an inspiring article in ‘Australian Ceramics’ magazine (47, #2) dating from July 2008. Written by Phil Elson it discusses ‘the roundness of things’
The article raises some interesting philosophical ideas
‘This is what pots can do for us: take us to places that otherwise may be inaccessible – places that remind us of the roundness of life.’
When explaining what he means by this metaphor he quotes Mr Curly (a Michael Leunig character): ‘what seems vital is whether or not the day is spacious, in which case the roundness of the day is perhaps the most important factor. After all a round day holds happiness most successfully – happiness itself being a rounded shape… it is the roundness of life which matters. A round life is surely a happy life – and I dare say – it is a good life’.
I was struck by how beautiful this idea is, and it speaks to me of how simple pots are often the most wholesome and honest. There’s a stillness to Elson’s work that suggests the ‘presence’ he feels while working ‘in the moment’ with clay.
He describes how you lose yourself in the moment while working with clay as: ‘We allow ourselves to be still, to be lost, to be in our own skin‘. This reminded me of a concept called ‘flow’ described in Hungarian psychologist Mihaly Csikszentmihaly’s eponymous book about the psychology of happiness. In a state of flow you focus so much on something e.g. a particular activity that you feel a special kind of stillness and contentment. I definitely feel this is true of the throwing process for me.
Elson also mentions coming to a point of unease about the work he was making three years previously and even considering giving up making pots altogether until a friend told him “The greatest contribution you can make is to be as close to yourself as you can possibly be.” This is a profound sentence and can be applied to everything in life. Surely to understand ourselves, what motivates us, what our fears are and to be honest with ourselves about our feelings is the first step to understanding what we are going to make. It feels sometimes as if the shapes are making themselves, pushing themselves out from our actions into existence.
Quoting Bernard Leach he further suggests the pots we make are us : ‘The pot is the man: his virtues and vices are shown therein…no disguise is possible’. As someone who constantly and painfully compares myself to others, to be reminded that everything I make is unique and only I could have created it in that exact way, is a reassuring thought that my place here is somehow valuable.