I feel this year I’ve focused (although not as much as I could have) on improving my throwing skills. It’s a process I enjoy, but rather than viewing it as a means to an end, I see it as more as a starting point for the process of construction, much like artists Wouter Dam, Carina Ciscato and Walter Keeler.
I began the first project ‘Many a Slip’ trying to repeat throw a particular form – that of a distinctively shaped mug I remembered from home. I discovered though, when I found a picture of the actual mug, that my memory of the object was distorted, a caricature of a mug. This made me think of how unreliable memory is and blind drawing exercises in the New Materialisms Constellation study group explored these ideas of how we perceive with our senses further. This idea of memory and trace fed into the ‘Cafe Society’ project. My cafe was to be a piece of home in Cardiff, somewhere I could go to escape the busy city and feel I was back in the wild, mountainous landscape of North Wales. The layout of the place would be similar to my favourite coffee shop in Dolgellau – T.H.Roberts, the old ironmongers, the top floor kitted out with second hand sofas, and they would serve the local speciality – Popty’r Dre’s honey buns.
I made a series of my ‘home’ mugs which I hope to saggar fire tomorrow with combustibles sourced from the Dolgellau area – seaweed and shells from Barmouth beach and sheep wool and lichen from the farmers fields on the foot of Cader Idris. I want the surfaces of the mugs to show a physical trace of my home. The project has made me think of the things I take for granted and how your memory of a place can change when you move away and grow older. It makes me think of Malcolm Pryce’s Aberystwyth Noir novel series – about an alternative underworld Aberystwyth which he only began to write about when he moved away from the place.
With the handbuilding of thrown forms I find myself returning to the theme of balance, which happened to be what I wrote my final Constellation essay about. I find my making process if becoming more and more process driven rather than schematic and pre-planned. I find I like to play with the material and discover ways sections want to fit together harmoniously and naturally rather than trying to bring a drawing or plan into being. This thinking has definitely been influenced by learning about ideas of the agency of materials in Constellation. I feel as a result though that I’ve abandoned research a bit and work in sketchbooks less than I used to.
I noticed this change of thinking most when I came to the final ‘Centrepiece’ project and originally wanted to make an interactive piece or a game, but realised I didn’t want to work to a plan. It’s also becoming more and more important to me that what I make shows a trace of how it’s been made. This is why I like the flow of throwing lines and marks where the fire has licked the clay in kilns that aren’t electric fired. I hope to move away from the standard oxidation electric kiln firings next year. I’d especially to learn how to use the gas kilns for reduction firings and look more in depth at alternative firing methods like raku, saggar and wood firing. I liked the unexpected, uneven results and surface textures you get this way, like the ones on my final centrepiece.
Looking through my blog I feel it would help to post a summary of my developing ideas at the end of each week next year so I can see a more clear progression. Also I’d like to upload films of myself working so I can more dynamically document the skills and techniques I’m learning.