It was pointed out to me that my pop art oil lamps have a visual resemblance to the assembled structures of Lisa Krigel, a potter working at Fireworks clay studio, Cardiff and ceramic lecturer at the USW. Her 2016 work ‘Eighteen storeys‘ from the National Eisteddfod is a collection or stacked thrown vessels that reference a city skyline in perhaps Shanghai or Kyoto, drawing from the Brechers’ photographs of industrial architecture.
The only time I’ve seen her work in life was at a gallery during Made in Roath last year. At the time I liked the use of natural grey-green and blue sea-tones to complement the neat, architectural forms, but I felt the symmetrical stiffness of the towers made then lack character. I was excited to find images of similar towers on her website with teapots included, the spout and handle adding a pleasing, quirky asymmetry. Now that I know these objects are functional too, disassembling into cups, saucers, bowls and teapots (even the wooden display plinth can be used as a chopping board!), I have a new appreciation for her playful ingenuity.
This idea of assemblage, more than one item coming together to form a whole, is similar in Ben Fiess’s storage jars. I like the idea of being able to play with a ceramic object, to take it apart and put it back together (sometimes in new ways). Thinking of the way things stack, that ever growing pile of dirty dishes (admittedly mostly mine) beside the kitchen sink could prove to be an unexpected source of artistic inspiration.
Image source: lisakrigel.co.uk