From the rough-hewn and rustic to Roy Lichtenstein – Mick’s next challenge, to make a set of pop art inspired oil lamps, came as a surprise. Pop art is generally defined as an art movement that emerged in the UK and US in the mid 1950s, drawing inspiration from pop culture and advertising and characterised by the use of bold colours, consumer goods as subject matter, the combination of text and image and a change of focus from abstract to representation. It’s ironic, it’s tawdry, it’s Warhol’s ‘Campbell’s soup’ it is, to quote, ‘the inedible, raised to the unspeakable’.
A few years ago there was an interesting culture show documentary called ‘Pop go the women’ about all the forgotten female artists involved with the pop art scene during the 50s and 60s, who’s work is, sadly, overlooked.
I began my research into oil-lamps by using the V and A and British museum collection databases, but found my spark of inspiration closer to home while scouring through metsearch. It’s a tin ‘petticoat’ oil lamp about 10cm tall from Texas. Apart from this there’s very little information but the elegance and asymmetrical balance of the form captured my imagination. The shape struck me as something that could me assembled from a series of thrown cones and bowl forms and led me to explore sketching composite thrown shapes in my sketchbook.
I went on to throw and turn a variety of shapes on the wheel in White StThomas clay, then played with placing them together like stackable children’s toys, cutting some of the cones and cylinders at jaunty angles like Walter Keeler suggested in his masterclass, in order to give the lamps more character. I then attached pulled handles which will make them easier to use and emphasises the asymmetry which I find attractive.
To decorate, I wanted a design that wouldn’t detract too much attention from the forms. Roy Lichtenstein’s polka dots have always felt iconic of pop art to me, so I tired cutting circular stencils from newspaper for paper resist, but was unsatisfied with how organic they looked. Pop art was about mass-production and sharp, clean graphics, so today I spent some time in soft modelling workshop learning how to use the laser cutter to cut out ‘halftone dots’ into paper. I was advised newspaper might catch fire and blow around too much but standard printer paper is ideal. Like newspaper it can be wet and attached to a rounded surface so slip can be painted over easily. I had to cut it to 600mm x 400mm then masking tape it to an MDF board of the same size for the laser machine, which only took a couple of minutes to cut the design. The singeing on top was caused by the first Adobe Illustrator vector file having too many layers of lines.
I’ve painted the lamps above in blue, orange, yellow, green and black slip, using the cut up laser cut stencil to make polka dot patterns. The effect wasn’t as clean as I hoped but I found leaving the slip to dry before removing the stencil stops splodging. I might try using the stencil with underglaze colours to add more pattern, Pop art after all seems to be a bit about going over the top.