Last week Mick introduced us to ‘primitive clay’, a heavily grogged clay body that includes sparkly mica, and we spent about an hour sculpting tiny clay oil lamps as part of our ‘light’ theme. Working on such a small scale was a new challenge for me, but I enjoyed how fast the process was – great for making maquettes. We speeded up the drying with the aid of heat guns so we could fire the lamps in the afternoon. This caused lots of cracking but surprisingly the results stayed in one piece, proving it is possible to make and fire a piece in the same day! We woodfired the clay in a big dustbin with the addition of sawdust and copper carbonate to colour the surface, resulting in a range of smoky oranges, reds and purples. There’s definitely some of Geoff Swindell’s influence in these teapot lamp forms, but unlike his precise, colourful porcelain pots, the smoking effect makes these look like they’ve been freshly dug from the ground after being buried for centuries.