On Saturday I visited Collect 2017 the ‘international art fair for contemporary objects’ at the Saatchi gallery in London – an impressive and richly diverse display of ceramics, textiles, metal, jewellery and glass by makers from 37 of the world’s leading galleries. Of all the incredible objects on display I found myself drawn to the quieter, smaller scale artworks, especially the enamelled stoneware sculptures of French artist Chloe Peytermann (www.chloeterre.com). The upturned bottle shapes are called ‘atolls’ which I’ve learnt are kinds of ring shaped reefs or islands formed on coral. This accurately describes the ring formations of glazes on the flat surfaces that bubble in thick dollops of colour.
I like this idea of using the base of the vessel, the part that’s usually hidden from view, as the focal point. It’s a good flat canvas to work with glaze flow and thick application. The forms look like they were thrown and I expect they’re open at the other end but I was too afraid to pick them up since they cost £300 each! This is the one thing that frustrated me at Collect, the prevalence of ‘do not touch’ signs when so much of the work looked irresistibly tactile. Accompanying the Atolls series on her website is the quote by French author Maylis de Kerangal “I like the idea that the experience of memory, in other words the action of remembering, transforms the place into a landscape, metamorphoses the illegible spaces into narrative. ” The idea of the experience of memory and how it differs from truth is a thread I’m interested in pursuing in the Cafe society project and leads on from trying to replicate the shape of a mug I remembered from home.
The colour scheme of speckled pastels with patches of vibrant pink and blue reminded me of the work of Ben Fiess who makes functional jars with cork and elastic band stoppers. I like the effect of juxtaposing eye-popping colours which conjures up memories of the candy colours of jars on the shelves of old fashioned sweet shops. For me they evoke childhood camping holidays to the New Forest where the arduous bicycle expeditions through hornet infested woodland were amply rewarded with a visit to Lyndhurst sweet shop. When I think of it I always think of Roald Dahl’s account of the sweet shop he and his friends always visited on the way back from school, funnily enough, in Llandaff.
Ben’s website www.bfiess.com is well worth a visit, he’s got a quirky selection of mixed media drawings as well as an ongoing database of research into glaze recipes and clay bodies.