Headless chickens

In today’s print workshop we decorated manufactured fired ceramic tiles. First the tiles were wiped with mentholated spirits to remove dirt and grease. On this first one I used open stock decals of chickens and red rectangles which are applied by soaking the cut shape in warm water for a few minutes then flattening them down on the tile’s surface, using a rubber kidney to remove excess water. A red onglaze powder was mixed with universal water based medium and then painted on and scratched through.

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For the next tile, I tried a different technique, rolling out printing medium onto a sheet of acetate in an even layer. The plastic was taped onto a glass board for support. Next I placed the coated acetate face down on my tile’s surface, placed a sheet of paper on top and drew onto it. The printing medium stuck to the tile wherever I pressed my pen. Finally I dusted powdered onglazes on top with cotton wool, working from the darkest to lightest colour. The result is a very crisp line but with a sensitive quality because it responds to how hard I press.

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I liked the effect of line quality when painting the onglaze then scratching through so decided to experiment with spontaneous patterns on this next tile. I also like the different colour intestines and the way the glaze pools on the shiny surface. Drawing directly using the printing medium made the lines look contrived and flat in comparison.

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Chris Taylor is a British ceramic artist who’s work I find stunning. His terracotta vessel forms are decorated with layers of slip, underglaze prints, decals and lustre in bright, cheerful colours and floral patterns. I like how busy the surfaces of the forms are with layers like peeling wallpaper and I’d like to experiment with using decals, underglazes and onglazes to a similar effect.

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Chris Taylor

Image source

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