There’s many a slip

Our ‘There’s many a slip twixt cup and lip’ brief requires us to produce a series of cups for a cafe of some kind. While I was away at university I suffered bouts of homesickness and especially on weekends, longed for a break from the busy city. I’d never lived in a town with more than 3,000 people before. I also drank a lot of tea while I was away, but early on found out I’d left one of my favourite cups at home. It wasn’t something I expected to miss.

There’s a distinction between a cup and a mug. While cups are usually used for drinking tea, their bigger siblings – mugs, are used for coffee and hot chocolate, although the only place I’ve drank from proper cups with saucers are cafes. It feels dainty and sophisticated to drink from a cup while a mug has a more down to earth feel. I’d call my cup from home a mug.

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My mug from home

The mug has a wider base than lip and a curvy barrel shape which keeps in the heat of the drink and prevents it from spilling as you carry it. This sense of security is further embodied in what the mug represents – the security of being with people I love and a place I feel safe. The lip is thick and smoothly rounded –  it feels almost as if you’re been given a kiss when you sip from it!  It appears to have been made from a mould based on a thrown form. The glaze is a little lumpy where the colours have overlapped and there is a small amount of pin-holing where the glaze has left tiny craters.

I began without a reference. I drew what I imagined the shape to look like and attempted to repetitively throw these forms with the aid of a pattern I had cut from the side of an old debit card. I then asked my family to take a photo of the mug and send it to me. The difference between my memory of what the mug looked like and reality startled me and this opposition is something I’d like to further explore.
If you ask me if I know what my family members look like, of course I know but could I draw them accurately? Very unlikely. What I worked from was a sort of caricature of the mug I knew, the ridge at the base and curves emphasised. This made me realise how completely unreliable my mind is. Similarly to this post my mind fills in the gaps in its knowledge with what it expects to find. How can i capture this essence of how the memory works in cup form?

If a cup had a memory it would remember all the drinks it has contained, the times it’s been knocked over and liquid spilt, maybe the chips would read as the wrinkles of old age. The life of a cup or mug in a house is entwined with the lives of those who live there.

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I’m designing my mugs for an imaginary cafe – a piece of home for me in the city, someplace I can go when I miss the countryside of North Wales. What could be more appropriate than to make the mugs from clay sourced from the area where I live? So far I have been throwing these forms in LF (low firing) white earthenware clay. My plan next is to try throwing with the clay I sourced from my local area in Snowdonia. I’m also interested in coloured slip decoration and it’s potential for illustrative qualities as my mugs would need to be colourful and cheerful to fulfil their purpose. I’m going to photograph textures and patterns from around my home for inspiration.

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Beautiful, minimal slip decoration, Craft in the Bay

 

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